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Rat Academy

  • Caroline Russell-King
  • Jan 26
  • 2 min read

Postcard review by Caroline Russell-King

 

Show – Rat Academy

 

Playwright- creators Katie Yoner and Dayna Lea Hoffmann with Joseph McManus.

 



Production Company/Theatre space – High Performance Rodeo, One Yellow Rabbit in collaboration Batrabbit Productions and Contemporary Calgary in their new theatre (which was the old Pleiades/Vertigo theatre).

 

Length – 1 ACT (1 hour, 10 mins, no intermission)

 

Genre/s – Political clown comedy.

 

Premise A street savvy rat sets out to educate a naive rat (a science laboratory escapee) on Alberta’s no rat policy and methods of staying alive, with help from the audience.

 

Why this play? Why now? – This show was plucked for the HPR at the end of its successful tour.

 

Curiosities – Could the signage from the parking lot to the main doors be lit and better placed?

 

Notable Moment  Engaging Louis B. Hobson in audience participation much to his chagrin!

 

Notable writing – I’m not sure this performance was text based. I suspect it was devised performance based. Nevertheless, it had all the components of a story. On the surface it may seem like children’s theatre, with the exceptions of a few “fucks”, however, the anthropomorphization of the rats lends itself to metaphors for the unhoused population, new-to-Alberta people being kept out, and the futility of religion. Or maybe it’s just about two rats - audience choice.

 

Notable performances  Yoner, as the dominant rough rat, reminds me of Rebbecca Northan in their deft handling of improv and audience participation. The second more lovable and docile rat is played by Hoffmann; they too are adept at interacting with the house. The performers have a polished interplay one would expect of a show that has had many former productions. They are both agile and acrobatic in their schtick as bipedal creatures and thoroughly entertaining.

 

Notable design/Production – Claire Sonmor’s set is comprised of two half walls adorned with graffiti, two garbage cans, and strewn garbage that covers a trap. Perfect for nimble handling on tour and Fringe venues.

 

Notable direction Joseph McManus is the director (and touring Stage Manager). I suspect he was the outside eye for the collaborators.

 

One reason to see this show You will laugh and also be touched by the pathos of these two creatures that society sees as vermin. NOTE this show is not at the Arts Commons.

 
 
 

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Caroline Russell-King is a professional theatre critic reviewing plays in Calgary and the surrounding area. This is an ad free website set up without grants- to show appreciation or to buy me a cup of tea please click the button below.

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